VI° CONCORSO LA FENICE ET DES ARTISTES ANNO 2005
Syzygy tide
“In Venice water rises and ebbs away, and then…..”
F“This
expression refers to the tidal movements that occur when the moon and the sun
are in conjunction or in opposition, something that is strongest when the
gravitational attraction of the moon is added to that of the sun.”
My passion for water, intended as H O, has always induced me to think of this
element as of something essential to my existence, over and beyond its
physiological importance to my body, the latter being made of water to such an
extent that when I think about it I feel as if I should instantly dissolve into
a puddle.
Water, in its liquid, solid or gaseous forms; seas, lakes, rivers; snow and ice;
clouds, or even a simple sauna; all these give me such great pleasure that I try
to transmit this to whoever is with me at that time.
Water is a living entity. Its flowing motion is a constant metamorphosis, and
one of its manifestations is the syzygy tide.
This form of water flow, which with its regular cadence could almost be the
earth’s breath, has always aroused my interest more than all others, perhaps
because a wave, a waterfall, the rain and a cloud are generated by events that I
can more easily comprehend, such as gravity, the wind and heat. Tides, on the
other hand, are determined by the gravitational attraction of the moon, and are
changeable, almost temperamental.
One place where this is a real and intrusive phenomenon is Venice, where the
problem of high water recently goes hand in hand with that of low tides.
This is why, after trying to explore all environmental and energy related issues,
the sixth edition of the “La Fenice et des Artistes” competition will be devoted
to this typically Venetian concern, analysing a problem that Venetians and
tourists live so very differently.
Those who were with us during the fifth edition were able to experience the
Venetian high waters first hand, and the disturbance it causes to the city.
However, they also saw the juvenile excitement of Westerners and Orientals alike
who, virtually treating the phenomenon like a fairground attraction, barefooted
or wearing disposable boots and bin liners, run at the chance of photographing a
flooded S. Mark’s Square.
We have asked the artists to interpret the event - which as previously mentioned,
goes hand in hand with the problem of excessive low tides, bringing sewers to
the surface and causing equally serious damage - in Venice or any other place
they feel it applies.
This suggested subject matter has now become highly topical, due to recently
renewed discussions on the creation of M.O.S.E. (the experimental
electromechanical module) and to the water-based meteorological events that over
the past few years have tormented the planet.
The artists, as ever interpreters and careful observers of their time, have
captured the topic effectively, giving life once again to an interesting review
that I think portrays a representative snapshot of contemporary painting.
I would like to conclude by thanking: the Fenice Hotels, and my good friend
Michele Facchini for hosting the initiative and for showing renewed faith in my
choices; the sponsors in particular EDF Energia Italia who believe in the event
and promote its growth; the ever helpful members of the jury; and the artists,
who have enthusiastically contributed to the achievement of this sixth edition.
Finally, after six years, a special thanks to Spatzi - my wife, colleague and
accomplice, who has always encouraged my creative expression - is long overdue.
The Curator, Giacomo Pellegrini